
Guessing I've mentioned before that around here, for me the only source for records is Ebay and the kindness of others. The closest thing to an actual record store, 150 miles away, is the
House of Sight and Sound in Salina, Kansas. I probably have more records in crates than they do for sale, but I still enjoy that old sensation of leafing through record after record, stood up on end, so that when you pull one toward you, you get a slight blast of air, that by the smell gives away whether you're looking at used or new vinyl. This store is small by the standards of some of the one's I've visited in my lifetime and of course, as with most record stores since the late 80's, is dominated by CD's. I remember in the early 80's when one of my rich friends introduced me to CD's (he also had this wild, space age for back then, top of the line Bang & Olufsen stereo), thinking they were pretty neat, hard to scratch, easy to skip around to the tracks you want and so on. I resisted for a long time though getting into CD's, because I knew that they were cheaper to produce and yet because of their "new and improved-ness" the record companies were charging almost double what they were for the same thing on vinyl. I won't even get into a discussion of the warmth of analog versus the coldness of digital (and really I'd probably just be playing pocket pool in saying I was an expert on any of that stuff, let just say it feels better). As CD's became the norm in the mid to late 80's, a LP on an indie label was about $7 and $9-10 on a big label. For a CD, that as I said, costs less to produce, you all of a sudden had to pay $13-16. Yet another one of life's many rip offs. Of course today I still prefer vinyl but, some things only come on CD and really I am a utilitarian and figure I can put whatever I want on a CD, as I did with cassettes, and take the shit wherever I need to go. Oops, kinda went off on a tangent there. So the other day I had the opportunity to go to Salina and check out the record store. This time I thought though that I might hit up a few pawn shops and see if any poor slobs had given up anything valuable. The first pawn shop I went to was a tiny little thing, with mostly guns and jewlery, run by a guy wearing a big old semi auto pistol thing hanging out of a shoulder holster. I have several guns at home so maybe I'm no better, but I always have to smile when I see guys brandishing guns. How hard would it be to snatch that thing and shoot the guy with his own gun. Anyway I asked the guy if he had any vinyl and he said he takes it all to a place called Acoustic Sounds. He says it's on the same road as his place, 9th street, across the street from some burger joint called Boogey's, but they don't have a sign. He got kinda snippy when I asked him what the cross street was, (guns make people brave), because 9th is a very long road and I've never fucking heard of Boogey's. I had to inform him that I was not from the area. He doesn't know so I cruise down the road, back and forth, looking for this fucking burger place and a building without a sign for about an hour and finally find it. I asked this guy in the parking lot if this was Acoustic Sounds and what it was about, and he tells me it's not really a retail walk in type of place but I should check it. I go into the door he indicated, at the side of this large warehouse looking building. I'm immediately met by this guy who for some reason looks like he's into jazz, Nate's his name, and when I tell him about the pawn shop and how I'm looking for records, he smiles and suggests that I get a tour. We pass a bunch of cubicle type offices and come to this door that looks like it leads to the main part of the building. We go through that door and BAM...almost the size of a football field, row after row of records stacked on 15 foot high shelves. I should have taken pictures, but I was in awe, because I shit you not, I have never seen so many records in one place at one time. The damn place reeked of records. Now you have to remember, Salina is what I would call a very large town or a small city of around 50,000 people and Nate tells me this is the biggest distributor of it's kind in the world. If I've sparked some curiosity, go check them out at
Acoustic Sounds, they sell all kinds of music related shit and have a very unique recording studio. Most of the records are new, high end, 180 gram, 45 rpm (better sound), audiophile, represses of LP's. Everything from Coltrane to Flipper. They also buy estate type stuff from dead record collectors. He showed me the row of a recent acquisition of around 30,000 records, all still factory sealed. This place was really out of my league in a way, mostly catering to high end collectors.

I was running short on time and to be honest with you I really didn't know where to start. You could spend a week in there, easy, going down row after row, up and down a ladder, struggling to figure out their cataloging system that was not alphabetical. I told him that I would really like to look at the used stuff sometime, which he said would not be a problem, but I didn't want to leave empty handed. We had looked at Hendrix's posthumous "Valleys of Neptune" earlier and I had noticed a 7" that had the title track and B side that wasn't included on the album (Nate told me that they really didn't have a whole lot of 7"s). So I bought that sucker, with the promise that I would be back. Both the tunes rock on the 7", by the way, check out the B side with Mitch Mitchell on vocals. (Saw him play back in the 80's with one of bands. Probably one of the greatest underrated and overshadowed drummers ever. 23rd greatest drummer, according to Rolling Stone, as if they fucking know.)
Cat Talking to Me
A Grandpa joke:
After dying in a car crash, three friends go to Heaven for orientation. They are all asked the same question: "When you are in your casket, friends and family are mourning over you, what would you like to hear them say about you?" The first guy immediately responds, "I would like to hear them say that I was one of the great doctors of my time, and a great family man." The second guy says, "I would like to hear that I was a wonderful husband and school teacher who made a huge difference in our children of tomorrow." The last guy thinks a minute and replies, "I'd like to hear them say...... LOOK, HE'S MOVING!!!!!"
Somehow I got off on this wild tangent, you guys know I do that, with hunting down tunes I was interested in hearing. I have a stack of shit I haven't listened to yet along with all kinds of MP3s, but still feel compelled to follow the Tao of music in a deceptively random way. Most people my age or older would remember Cab Calloway's "Minnie the Moocher", if for no other reason than it's presence in the Blues Brothers movie (my second favorite musical moment in the movie, after John Lee Hooker's "Boom Boom"). During the 20's and 30's, there was a lot of sex and drug inuendo in music, there's whole anthologies dedicated to the topics in that era. "Minnie the Moocher" was based on the original,
Frankie "Half-Pint" Jaxon - Willie the Weeper
If you want an interesting read check out Jaxon he was punk or at least new wave, way back in the 20's. After that another guy came out with this tune,
Ernest Rodgers - Willie the Chimney Sweeper
Of these three I'm sharing that one is my favorite (emailed it to several of you), because "he had the dope habit and he had it bad" and in the end, as real to life as possible "the dope gave out". I think when he's talking about smoking pills, he means heroin. After that Cab Calloway did his thing,
Cab Calloway - Minnie The Moocher
The (in)famous Minnie the Moocher, Bettie Boop, cartoon is worth checking out if you haven't seen it...
here. If you're into that whole dope inspired music thing of the 30's and 40's you must go check out this post at
What's In My Ipod.

Was watching VH1 (I don't know why as 99% of it is shit and 75% of VH1 Classic is too) and they had another one of their Top 100 song things. This time it was the 90's. I am a son of the 70's and 80's so that's where my interest mainly lies, but the 90's reminds me a bit of what I remember of my 20's. I only watched from about #'s 90-70, but there was some interesting tunes there.
I love this woman's voice and her Irish accent you catch here and there,
The Cranberries - Linger
I was into the early Pixies stuff, so this was pretty cool,
The Breeders - Cannonball
I touch on rap here and there, and as much as I couldn't stand it in the late 80's, especially the Beastie Boys first thing, sometimes... This guy was cool, not pretty, not a gangster, but unique,
Digital Underground - The Humpty Dance
My old bro Gage turned me onto something totally cool with this episode of, Aqua Teen Hunger Force.
[video width="640" height="360" mp4="http://mustard-relics.com/wp-content/uploads/2010/04/Aqua-Teen-Hunger-Force-Backstage-with-Chickenfoot.mp4"][/video]
He was the tour manager for uber rockstar super group,
Chickenfoot at the time this episode was made. Gage is a bit cracked but he's a good egg. Actually he was a pretty important part of allowing me to look beyond the slavery of addiction. In case you don't know him, he's the voice (and there's a striking visual resemblance) of the fly towards the end of the episode.
Guess what, I had so much to say on this one, there's no point in trying to squeeze in a main band/record for this post. Next time. One thing I did want to say, that to me at this very moment more important than anything else, is the understanding that being a caring person is not all it's cracked up to be. It's so much easier not giving a shit. Know what I mean?